Pandi On Kalingar Tv on this friday

Here is the Pandi Movie Review. Hero Lawrence and Sreeman are the sons of the couple Nasser aHere is the Pandi Movie Review. Hero Lawrence and Sreeman are the sons of the couple Nasser and Saranya, are two extremes. While Sreeman is the perfect example of an ideal son, Lawrence figures in the dangerously short tempered son who is of less value to the family people. Hence for these reasons, his entire family except mother Saranya, hates him whole heartedly. Meantime, Lawrence meets Sneha and falls in love with her.

A crucial snarl-up in the family brings to light Sreeman’s ugly side and he elopes with his father’s hard-earned money which had been saved for his sister’s wedding. Lawrence takes over from this point and shoulders his family’s responsibility. In the process, he moves to Dubai for greener pastures.Sneha is the show-stealer and announces the arrival of a siren. So much for her good girl next door image. She coils hard for the three songs in her designer outfits – of course, scantier than her earlier movies. The songs Kutthu madhippa and the Maasi Maasam remix song which was done shoddily, making you wonder what the point was in brutally butchering the lovely original provide ample scope for Sneha’s dancing skills. Sneha’s sexy dance moves also makes poor Namitha’s item numbers look lusterless.

While Nasser, Saranya, and Sreeman score with their performances, Lawrence looks as if he definitely needs acting lessons. Or is it just that director Raasu Maduravan felt felt a hero need not bend backwards to make himself look credible? That apart, U.K. Senthilkumar’s camera feasts on Namitha big time and Suresh Urs’ neat editing flows with the movie without interrupting the course of it.Thus the movie is not upto the mark. Lawrence seems to learn a lot of acting stills. But all knew that he is the master of all dances. nd Saranya, are two extremes. While Sreeman is the perfect example of an ideal son, Lawrence figures in the dangerously short tempered son who is of less value to the family people. Hence for these reasons, his entire family except mother Saranya, hates him whole heartedly. Meantime, Lawrence meets Sneha and falls in love with her.

A crucial snarl-up in the family brings to light Sreeman’s ugly side and he elopes with his father’s hard-earned money which had been saved for his sister’s wedding. Lawrence takes over from this point and shoulders his family’s responsibility. In the process, he moves to Dubai for greener pastures.Sneha is the show-stealer and announces the arrival of a siren. So much for her good girl next door image. She coils hard for the three songs in her designer outfits – of course, scantier than her earlier movies. The songs Kutthu madhippa and the Maasi Maasam remix song which was done shoddily, making you wonder what the point was in brutally butchering the lovely original provide ample scope for Sneha’s dancing skills. Sneha’s sexy dance moves also makes poor Namitha’s item numbers look lusterless.

While Nasser, Saranya, and Sreeman score with their performances, Lawrence looks as if he definitely needs acting lessons. Or is it just that director Raasu Maduravan felt felt a hero need not bend backwards to make himself look credible? That apart, U.K. Senthilkumar’s camera feasts on Namitha big time and Suresh Urs’ neat editing flows with the movie without interrupting the course of it.Thus the movie is not upto the mark. Lawrence seems to learn a lot of acting stills. But all knew that he is the master of all dances.

Sadhu Miranda 3.05pm on 17th oct

Cast: Prasanna, Kavya Madhavan, Abbas, Karunas Direction: Siddique Music: Deepak Dev Production: Alka Film Corporation

With an impressive track record of all hits and no misses in his film career, Siddique certainly has what it takes to deliver a successful movie in what he’s best at– comedy. Though a tad off from his usual turf, Sadhu Miranda is the director’s attempt at mixing a cocktail of comedy and suspense. His intelligence in scriptwriting oozes out of every frame, as does his prowess in executing a well-crafted script. Interestingly, revealing the story wouldn’t mean spoiling the fun- for Siddique makes sure (save for a few logic-defying scenes) that he sustains the suspense with his clever, unmatched storytelling.

Abbas and his brother rob a bank in broad daylight. The amount, Rs.20 crores, is part of a government fund deposit. In the process, the siblings accidentally slay the hero’s (Prasanna) sister who happens to be an innocent bystander at the crime scene. She’d been waiting at the bank for an educational loan. Now, after the bank robbery, to ease the risk of legalizing the mammoth sum, Abbas flies to the USA and employs illegal means to convert the money. He changes the money into dope and tries to pay for it in India using the help of his brother. Meanwhile, predictably, Prasanna seeks vengeance for his sister’s death and abducts Abbas’ brother who guards the loot. He also dupes the brother and makes Abbas reap what he sows. This includes stealing Abbas’ crush, Kavya Madhavan, from him. Siddique knows his onions and has you guessing till the end with this convoluted but suspenseful story that’s just a little short of being above average. At times, it even feels amateurish. (This is probably because a fusion of comedy and suspense is difficult to maintain). For how many times have we stifled a yawn at scenes

showing a beloved brother employing foolproof tactics to get the baddies who slaughtered his poor sister? Prasanna steals the show with consummate ease, playing the vengeful youngster and naïve lad. He exudes charm and poise, announcing the arrival of another promising actor on the block. The role of a sophisticated bank robber fits Abbas like few roles have recently. Kavya tries to emote beyond just using her eyes expressively, but often fails in the process.

Rest of the cast include Manivannan, Manoj K Jayan, Kotta Srinivasa Rao, M.S. Bhaskar, Karunas, Charlie, and Vayyapuri. Prathap V Kumar’s cinematography, editing by T. R. Sekhar and Gowrishankar are noteworthy. Gokula Krishna’s dialogues are funny in parts, crisp and clever in others. However, the music by Deepak Dev isn’t particularly good. Also, the intervals at which the songs come on seem to intrude on the story. Counting out a few illogical scenes that stand out (although they are not eyesores), Sadhu Miranda is a movie worth catching if you are in a nonchalant mood to kill a few hours watching a Tamil suspense-comedy.